Confirmed: Lake Creature is a Cameron Gainer artwork

The Loch Ness Monster-like creature bobbing in Minneapolis' Lake Harriet for the past week is indeed a Cameron Gainer artwork, created in cooperation with the Minneapolis Parks Foundation, according to the foundation's website.

Pictured: Gainer with his work _[ in Key West, Florida, January 2008.

NYC Os Gemeos mural defaced

The newly completed Os Gemeos mural at Bowery and Houston in New York -- already something of a tourist destination -- has been tagged with the words, "Blog about it." So I did.

Bits: 07.15.09

Patricia Renick, Triceracopter: Hope for the Obsolence of War, 1977

• "In 1977 Patricia Renick mounted an extraordinary solo exhibition at Cincinnati’s Contemporary Arts Center. The exhibit comprised one exceptional sculpture crafted of fiberglass and built on the frame of a Vietnam era U.S. Army OH6A/Cayuse helicopter. Triceracopter: Hope for the Obsolescence of War is now available for acquisition by a qualified museum, institution or individual." Via Worlds Best Ever.

• Damien Hirst makes Fast Company's list of the "100 Most Creative People in Business." Ranked #22, Hirst is cited for selling $200 million at auction last September, "cutting out the middleman and raising the real possibility of the death of the art dealer."

• Among the other artsy types on FC's list: anime pioneer Hayao Miyazake (#31), Sandman and Coraline creator (and Minnesota resident) Neil Gaiman (#40), Helvetica/Objectified director Gary Hustwit (#74), Brian Eno (#80) and Cai Guo-Qiang (#86).

• Jen Bekman opens Summer Reading, featuring works by Eyeteeth friends Brian Ulrich, Alec Soth, Steve Lambert and others, July 16 in New York.

• London Exhibition: Radical Nature: Art and Architecture for a Changing Planet 1969–2009 at the Barbican through October 18.

• Design guru Steven Heller rebrands the GOP as "Grand Old Plagiarists" for a logo by Maine gubernatorial candidate Les Otten that "looks like it was copied out of the Obama stylebook." He adds that the Republican's website "typographically looks like Scott Thomas, Obama's web guy [and co-star of the Walker's "Desiging Obama" discussion], designed it."

• Call for proposals: Conflux City is looking for "artists, urban geographers, technologists and others to organize and produce innovative activities dedicated to the examination, celebration and (re)construction of everyday urban life" for a September 20 open-format event in New York. Deadline: July 20. Via Proximity.

• Call for writers: The excellent Laundromat Project -- which invites artist to present public art in laundromats across New York City -- is seeking writers for its Create Change artist residency. Writers, who'll receive a $500 honorarium, will be paired with visual artists to write about their projects. Deadline: July 22.

• Apparently, Minneapolis stencil-artist John Grider (Broken Crow) was commissioned by Green Day to make an artwork inspired by the band's album 21st Century Breakdown. (Also, congrats to John and his now-wife Christin, who got hitched over the weekend.)

• Grider's buddy, hip-hop artist P.O.S., has a new video out, featuring familiar Minneapolis locales and figures, including Doomtree cohort Dessa.

Os Gemeos in NYC

Os Gemeos' New York mural on the corner of Houston and Bowery is complete. See it all at Hypebeast, from whom I nicked this image.

Project your own bike lane

As a born-again cyclist living in the 'hood, I love this idea: Light Lane is a bike tail light that projects high-visibility bike lanes around you as you ride. The all-in-one design combines a red LED tail light and green DPSS lasers, plus a rechargable battery. Brilliant!

Via The Suggestion Boxer.

A mind-bogging review of the Walker Art Center

I find I can't write about St. Cloud State University student Ben Kaufman's visit to the Walker Art Center without... um... editorializing. So just read his review of a visit that he says "bogs my mind."

Update: Reactions to Kaufman's review have been posted at Secrets of the City and Fresh.mn. And C-Monster calls it the BEST. ART. ESSAY. EVER.

CIA agent: U.S. waterboarding predates Bush administration's official OK

Former CIA agent John Kiriakou tells the BBC that Abu Zubaydah (right) was waterboarded by the CIA in May or June 2002. But waterboarding wasn't OK'd by Bush administration lawyers until August 2002 when they issued memos on the topic. The CIA won't reveal when Zubaydah was waterboarded.

"If waterboarding was being used then, there's no one who would be able to say that they were relying on a legal opinion because there was no legal opinion at that point to rely upon," says Chris Anders of the ACLU.

One day's air travel compressed into one minute

Loch Ness Monster spotted in Minneapolis lake

The Loch Ness Monster has been spotted on Minneapolis' Lake Harriet. While some speculation exists, at least by a joking guy interviewed by KARE-11, that the creature is part of a millfoil-abatement plan, my guess from looking at the website LakeCreature.com is that it's art. (It's got a Twitter account, too.) The work has a striking resemblance to that of artist Cameron Gainer, whose sculptures -- entitled _[ — have showed up in Brooklyn, Key West, and other locales. Gainer, formerly based in New York, now calls Minneapolis home; he's engaged to Walker Art Center director Olga Viso. Next week we'll see if I'm right: the project's site says it'll officially reveal details on Thursday.

United Brands for World Peace: The Nike burqa?

Converse, an exhibition of works by Czech collective Pode Bal at Divus Unit 30 in London, is an unlikely product-design show, combining "notorious symbols of Muslim and 'Western' cultures into an unseen system of products in order to strive for their joyful coexistence that would please all consumers." This togetherness-through-consumerism notion is reflected in so-called "United Brands for World Peace" that include a Nike burqa, Gore-Tex turban and a Victorinox edition of the jambia dagger used in Qatar and Yemen. Converse is on view through August 1.

Ballard billboard modification

Jim sends a link for old-school culture-jamming in Seattle's Ballard neighborhood.

"Should museums strive for political neutrality?"

Rachel Hooper, a curatorial fellow at the University of Houston's Blaffer Gallery, posts an online poll that asks, "Should museums strive for political neutrality?" Cast your vote.

Guerrilla placard: "Struggle" at Nicollet Island

Flickr user The Gradient of F, a recent transplant to a neighborhood near Minneapolis' Nicollet Island, spotted this guerrilla placard at the bottom of steps near the bike trail. It's a bit hard to find, but check out the Nicollet end of the bridge connecting to Boom Island.

(Thanks for the tip, Chris.)

Bits: 07.08.09

Bucky/Fly's Eye/Dymaxion Car, 1980, featured in the just-closed MCA Chicago exhibition on Buckminster Fuller. Photo © Roger White Stoller. Via Art or Idiocy.

• "Weeping Barbie syndrome" hits two of the Walker Art Center's Beuys' works!

• The Walker's Peter Eleey narrates a quick video about Pierre Huyghe's outdoor installation Wind Chime (After Dream), a series of wind chimes hung in trees in the Minneapolis Sculpture Garden and tuned to each of the notes in a 1948 John Cage composition. It's a remarkable piece, surprisingly contained within the trees that reveals itself bit by bit only as you wander among the trees.

• As Barry Hoggard offers an aerial view of New York's High Line, Steven Heller describes the elevated park as "one of the best New York experiences I've had since my bath water turned from light brown to clear."

• At Art:21, Hrag Vartanian crunches the numbers about arts funding and the federal stimulus.

• Walt Whitman shows up in two interesting places: a Levi's ad, where a voice that's purportedly his reads from his poem "America," and in a wonderful to-die-for obituary that Tyler Green pointed out to me is that of Akron Art Museum director Mitch Kahan's mother-in-law.

• Via C-Monster, a spot-on letter to Dwell magazine.

The Fourth Plinth and the "democratization of art"

A participant in Antony Gormley's installation at Trafalgar Square's Fourth Plinth project, by photojournalist David Thompson.

Since Monday, artist Antony Gormley has been asking Britons to use Trafalgar Square's Fourth Plinth to make "a portrait of the UK now." For the next 100 days, he's opened up the remaining empty plinth -- built in 1841 to support an equestrian statue of William IV, but never completed due to lack of funds -- in central London to anyone for an hour, to do whatever they'd like. (Currently, I'm watching a guy muttering and doing what appears to be Tai Chi, but there have been many more artful hours spent.)

In a nice video (below), Gormley says the ensuing 2,400 hours -- until October 14 -- are "about the democratization of art":

"We know what Trafalgar Square is like: It's full of generals and kings and queens and [Admiral Horatio] Nelson and [Sir Charles James] Napier. This is a chance for you and I, people who live on the ground, to have a look at the world from the point of view of art, from the point of view of that elevated frame that, in a way, we've inherited from the old order. I hope this is about making a new order. Or anyway, expressing our hopes and fears now..."

Best part: it's all being webcast live.

Next up: After Gormley's project, the plinth will feature a commission by British/Nigerian artist Yinka Shonibare, who'll make a scale replica of Nelson’s ship, HMS Victory, in a giant glass bottle.

Bits: 07.06.09

Clement Greenberg, a readymade from Katya Mezhibovskaya's Access Excess, her BFA thesis at School of the Visual Arts. Via Steven Heller.

• We Make Money Not Art presents Jen Hui Liao's Self-Portrait Machine, a contraption that "takes a picture of the sitter and draws it but with the model's help. The wrists of the individual are tied to the machine and it is his or her hands that are guided to draw the lines that will eventually form the portrait." Video here.

• The River Café in Brooklyn is suing New York's Public Art Fund and Danish artist Olafur Eliasson for damage to its building and foliage caused by Eliasson's The New York City Waterfalls. Via @cmonstah.

• Exhibition: Foodprint "shows crucial moments relating to food, food production and the city." at Stroom Den Haag, The Hague, through August 23.

• Is this another threat to Spiral Jetty? Via MAN.

• Osama bin Laden: "Missing" street-art.

• ARTnews' Top 200 collectors' list.

• A gallery of Chinese propaganda art.

• Andy Sturdevant, writer, curator, fashionista.

• Utne looks at Afghani war rugs.

• The prez already has a Chia Obama.

m&m+M=3M

By Nic Hess, via iheartmyart.com

Yoko Ono: Dream

Via Yoko Ono on Flickr:

To celebrate Yoko Ono receiving The 2009 Venice Biennale Lifetime Achievement Golden Lion, Luigi Bonotto's ArchivioBonotto has installed over 1000 Billboards in Italy - in Milan, Rome, Venice, Florence, Bologna, Mestre, Padova & Verona.

Fireworks

“Fireworks”, a stop-action animation video by PES, via Laughing Squid.

Scott Nedrelow at Sellout Gallery

Scott Nedrelow, who I've featured here and here, has a show with artists Eric William Carroll and Lex Thompson at Minneapolis' Sellout Gallery, starting tonight. Nedrelow's current work

"began as a communication with a distant friend by writing notes on torn pages from popular art publications such as Art Forum. These texts, photographed and printed in large formats (some are over 144 inches long), have morphed into abstract forms that merge and depart from the appropriated source material. The resulting work creates a new narrative of contextual distortion that questions the appropriated artist’s motivations as well as the commercialization of contemporary art."

It's on view through July 18.

Huang Yong Ping's "Tower Snake"

(Photo by Gladstone Gallery)

Huang Yong Ping's Tower Snake is a spiral ramp taking the form of a cast-aluminum snake skeleton. The lone installation at Gladstone Gallery's 21st St. location in New York (through July 31), the installation is made to be walked on: head deep in the snake's ribcage, visitors walk up a creaky scaffolding constructed from bamboo posts and slats. The gallery describes the work:

In transforming the rib cage of the snake into a series of arches, Huang Yong Ping echoes the architecture of a Gothic cathedral, simultaneously reworking this Western style with Eastern materials and subtly transforming the cruciform symbol of Christian salvation into the tangled figure of Edenic temptation. More importantly, this Tower of Babel-like sculpture depends upon the natural material of bamboo reaffirming its link to Eastern construction.

But if past works by Huang are any guide, he's also playing with another idea: His giant wooden snake spine in the Walker Art Center's 2006 show House of Oracles was described to me by curator Doryun Chong (now at MoMA) as the digestive tract of the museum, raising questions about the "capacity and limitations of the institution’s 'digestion' of art."

"Better History"

Meatpacking District, New York, June 29

Bits: 07.02.09

Fred Stonehouse, Celestial Poet, acrylic on panel, 2008

• Tonight LA's Peres Projects opens the group exhibition Minneapolis, which "considers the implications of Minneapolis, its legacy and impact on everyone who has never been there." While the show says my home base is in many respects "the ideal American city, where coexisting cultures thrive, and in turn breed successive generations of even more creative, talented inhabitants," it doesn't seem to feature many (any?) Minneapolis-based artists.

• Mud stencils!

• On Tuesday night, pal Kemi and I checked out the High Line Park Renegade Cabaret, an impromptu performance of torch songs by singers on the balcony of an apartment along New York's new elevated park. (My shot of the performance.) The brainchild of resident Patty Heffley, the performances are an "extreme response to extreme circumstances" -- 31 years of privately drying laundry on her balcony, now interrupted by throngs coming to see the (fabulous!) High Line Park. (HLPRC on Facebook)

• Exposure doesn't pay the rent: artists say no to Google projects because the filthy-rich company won't pay.

• Hrag wonders how much the value of Dana Schutz's 2005 painting The Autopsy of Michael Jackson went up in recent days.

• NYC Exhibition: Iran Inside Out at the Chelsea Art Museum through Sept. 5. (ArtInfo calls it a "must-see.")

• Here's to alternative spaces in Minneapolis: The not-quite-defined West Bank Social Center opened last week; and local art collective Hardland/Heartland is making a small shack in the Wedge neighborhood available for creative projects. "It can be used for anything from presenting your findings or selling your wares to distributing agitprop or engaging in summer conversations. There are no posted hours, the shop is simply open when it is active."

Boba Fett, accordionist

Under the High Line in Chelsea tonight, en route to meet artblogger Hrag Vartanian, Stephan Geras and I stumbled upon Boba Fett, bounty hunter turned street musician. Decked out in a home-made helmet constructed from magazine covers, he played a recognizable rendition of Star Wars' "Imperial March."

Joyride at the Bicycle Film Festival

When the Bicycle Film Festival rolls into Minneapolis July 8 it, sadly, won't include the JoyRide art exhibition that accompanied it in New York. Organized by BFF and Anonymous Gallery, the show included a huge array of works by artists including Aiko, Jonas Mekas, Martha Cooper, Ellis Gallagher, Ji Lee and many others. One work that piqued my interest: Benedict Radcliffe's graffiti bike. He sends a few shots:

Fluoro Bikes

Love these fluorescent bikes by artist Benedict Radcliffe and Fixedgearlondon's Andy Ellis.

Bits: 06.22.09

Still from John Baldessari's 1971 film I Will Not Make Any More Boring Art via Wrong Distance

• The Big Picture looks at the continuing democracy protests in Iran, including a screen grab of the death of Neda Soltan, a protester shot in the heart. The video of her death is likely the most disturbing thing I've ever seen and for reasons too complicated for me to understand or explain.

• The Asian Art Museum, noting the Neda's name means "divine message, voice, or calling" in Farsi, offers a quiet homage to the fallen Iranian woman, likening a c.1100 mother-and-child vase in the museum's collection to Michelangelo’s Rondanini Pieta. "Somewhere in Iran, a mother is also grieving for her child."

• Chicago Exhibition: Anne Elizabeth Moore's Dismantling the Corporate State, and Other Amusements at Columbia College Chicago, now through August 22 (via).

• LA Exhibition: Olga Koumoundouros: Demand Management, opening June 26 at REDCAT in LA. (See her reworked "terror" installation here.)

• NYC Exhibition: Red Lines Housing Crisis Learning Center, "a large-scale installation that explores how we finance our living environments," at the Queens Museum, now through Sept. 27.

• Following up La Machine's giant arachnids and Royal de Luxe's massive marionettes, here's Estuaire 2009, featuring, among other spectacles, a gigantic walking deep-sea diver.

Current TV spoofs GM "re:invention" commercial

Another reworking of GM's already spoofed "re:invention" spot.

Bits: 06.16.09

Detail of Andy Ducett's installation It Could Have Happened Yesterday or It Could Have Happened Today (2009)

• A Dutch artist kills her pet cat to make it into a purse, receives hate mail, and turns around to make the angry correspondence her art, revealing the identities of those who write in to threaten and ridicule her.

• I'm not sold on Ben Judson's distinction between "street art" and "public art" -- his description of the "typical street artist" is something of a caricature, and it seems he sees the former as perjorative, while the latter isn't -- but I do enjoy the meticulous work of the artist he highlights, Aaron Forland. (Caveat: I agree with the sentiment, though; I most appreciate street art when it's interventionist or site-specific, offering surprise or a challenge along with demonstrated craft by a visual artist.)

• Starting today: Two Degrees, a "week long programme of work by radical and politically engaged artists about climate change and our relationship with the environment" in London. Thirteen artists or groups are taking part, including Akroyd & Harvey, who have grown seedling grass on buildings throughout the UK. [via]

• As Jammie Thomas' RIAA/filesharing retrial began yesterday in Minneapolis (via), Fleet Foxes singer Robin Pecknold says filesharing exposed him to a wide range of music. As a result, he says, bands "are doing way better music now than was being made pre-Napster." (About piracy of his music: "I've downloaded hundreds and hundreds of records - why would I care if somebody downloads ours?")

• Essay: "What Makes Us Happy?"

• "Frank Behry"? Dwell is asking readers to help name the newest flavor of icecream sold from the Coolhaus, an architect-owned ice cream truck in LA.

• Liberian Barbie.

The Big Picture: Iran election aftermath

These two photos -- featuring supporters of Iranian presidential candidate Mir Hossein Mousavi helping riot police officers beaten in the post-election protests -- stand out among a those in yet another remarkable offering from the Boston Globe's The Big Picture. The top one is by Behrouz Merhi; the bottom by Olivier Laban-Mattei, both of AFP/Getty.

Bits: 06.12.09

The Glue Society, It wasn't meant to end like this, Sculpture by the Sea, Denmark, 2009

• "A performance by Christian Marclay, from the October 29, 1989, episode of the short-lived music television show Night Music."

• The Brooklyn Museum presents a slideshow of the 82-piece recent acquisition, Hank Willis Thomas’ series Unbranded: Reflections in Black by Corporate America.

• Art:21 offers a video look at artist Laylah Ali's collaborations with graphic designer Nicole Parente.

• Tim Burton is getting a multimedia career retrospective at MoMA this fall.

• New book: Stencil Nation: Community, Graffiti and Art by Russell Howze (Manic D Press), featuring Minneapolis' Amy Rice and John Grider and others. Also good: Mural Art, which also features Grider, available at the Walker book shop.

• ESPN's "Being Ed Templeton," a video on the artist and skateboarder. [via]

• Minnesota Public Radio on Tomas Saraceno's show at the Walker.

• A video introduction to Eyebeam's (just-closed!) Drawing Contemporaries, "an exhibition of work on paper made by a peer group of new media artists who all create drawings, both as a primary object and as an experimental process." Artists: Darren Kraft, Steve Lambert, Julia Schwadron, Michael Mandiberg, Marisa Olson and Lee Walton.

• "neverwouldbetoosoon..."

• Amphibious bicycle! Shadow bike! Chrome chandelier bike! (Scroll down to third photo.)

Barrel-artist busted

The Smoking Gun:

A North Carolina man is facing criminal charges for creating an amusing piece of public art from construction barrels. Joseph Carnevale, 21, was nabbed Wednesday after a Raleigh Police Department investigation determined that he was responsible for the work constructed May 31 on a roadway adjacent to North Carolina State University. Carnevale was charged with misdemeanor larceny for allegedly building his orange monster from materials pilfered from a construction site. According to an arrest warrant, Carnevale "destroyed three road blocking barrels by cutting and screwing them together to form a statue."

He's said to have caused $360 in damage and is scheduled for a July 21 court hearing.

Sweet Hair Poster Show: June 13

Paul Gardner's contribution to "Sweet Hair"

Don't miss this sweet fundraiser/party/art sale, curated by local raconteur Andy McInnis, at Art Minion in Northeast Minneapolis Saturday night. The details:

All prints are hair-inspired, handmade and created just for this one-time-only event. Not only will some of Minneapolis’ premier poster artists be showcased here, but thanks to Mezzanine Salon, hair will actually be cut and styled during the show’s opening reception. Sweet Hair opens on Saturday, June 13th from 7-10pm at the Art Minion Gallery, nestled away in North East Minneapolis overlooking the Mississippi River. This exhibition is free and open to the public. DJ Rambo Salinas and DJ Talk Radio will be spinning music all evening. Artwork purchased the night of the show will be accompanied with a discount to Frame Ups Custom Framing. The show will be up for one month following the opening reception.

10% of poster sales and ALL pony tails collected for Sweet Hair will be given to Locks of Love.

Holocaust Museum Shooting Suspect Is White Supremacist Artist?

Date Farmers' N.A.S.A. video

The Date Farmers art collective contributed original art for the new stop-action animation video for N.A.S.A., just released today. [via] And here's how they made it:

Bits: 06.10.09

Artist Mike Bouchet's Watershed, a 1:1-scale American-style house, was to be installed at Venice's Arsenale basin on pontoons, but it sprung a leak. (Thanks, Jim.)

• WalrusTV offers a new video on Swoon, who, with the rest of her Swimming Cities of Serenissima crew, are now tweeting from the Venice Biennale.

• An employee at a Toronto Goodwill store found two pieces in the drop-off donation bin that turned out to be by 19th-century painter Federico Del Campo. The store sold them at auction yesterday for a combined price of $150,000.

• Lego's coming out with its own version of Frank Lloyd Wright's FallingWater.

• Clear Channel ad hacked to read "Liar Channel."

• A "ghostly imprint" of a recently removed house.

• "Beautiful Destruction": Aerial photos of the Alberta tar sands by Louis Helbig. [via]

• RIP Robert Colescott. [via]

• Tag on a discarded fridge in Bristol, UK: "I'm cold."

Man Walking Down the Side of a Building

The Trisha Brown Dance Company performs Man Walking Down the Side of a Building at the Walker Art Center in 2008, the first time in 40 years the work's been seen stateside. Via @walkerartcenter.

GM: "Retarded"

GM's re:invention campaign gets the spoof treatment with "re:tardation":

"We at GM have been screwing your tailpipe for years. And now with your help and the inefficiency of the American government, we're gonna screw you again."

More at GMretardation.com. See GM's original spot:

Bits: 06.05.09

A Football Match (detail), Huang Yong Ping, 2002

• Following up his 1999 Spinoza Monument, Thomas Hirschhorn has installed The Bijlimer-Spinoza Festival in Amsterdam's Bijlimer neighborhood through June 28. It's part of Open Source Amsterdam and features lectures and readings, a daily newspaper by Alexandre and Daniel Constanzo, the "Spinoza Theater" and more. Tank.tv begins daily video broadcasts on June 8.

• The Air France flight that disappeared in the Atlantic has apparently claimed the lives of 228 people, including five artists: Silvio Barbato, artistic director of the Symphony Orchestra of the National Theatre of Brazil; German architect Moritz Kock; Brazilian singer Juliana Ferreira Braga de Aquino; Riverdance performer Eithne Walls; and Turkish classical harpist Fatma Ceren Necipoglu. [Via ArtInfo.]

• For TateShots, Adrian Searle looks at Venice Biennale works, including Scandinavian artists Elmgreen & Dragset's installation, which features a faux drowned art collector face-down in a pool.

• Type designer Matthew Carter (who designed, among others, the Walker Art Center font) visits The St Bride Foundation to discuss reviving old type.

• Riceplate gives a rundown on Lille/Madrid/Sao Paolo–based street artist REMED.

• Koko Taylor, 'Queen of the Blues', Dies at 80

• Yoko Ono, N.E.R.D., Moby, and others have offered up designs for H&M's Fashion Against AIDS campaign.

• Seed bombs.

• "The Medicis had Michelangelo. Rich Americans (and one rich English actress) get Dick - Zimmerman, that is. Feast and avert your eyes." [Via ChuckT]

Chad Hagen's Nonsense Infographics

I love how these nonsense infographics by Minneapolis designer Chad Hagen appear yellowed by time -- as if discovered by archeologists (or astronauts?) who never managed to locate the accompanying legends. See more here. Via Roughstock.

Recommended: Laura Gibson at Cedar Cultural Center (tonight)

While intended as a compliment, saying Laura Gibson sounds like Jolie Holland is a bit of a disservice to the Oregon indie folk musician. Catching her as she opened for Damien Jurado in Seattle last month, I was surprised and delighted by her inventive song structures, tremulous voice and minimalist guitar -- not to mention the wizardry of her two-man band, who multitasked on drums, keyboards, saws, and some breath-powered keyboard thingies. She's got the old-timey quality of Holland, but a sound that's all her own -- weirdly magical, yet deliberate; chirpy yet haunting; ancient yet somehow avant-garde. See what you think: Gibson's playing at Minneapolis' Cedar Cultural Center tonight, June 4, with Museé Mecanique and local artist Dewi Sant opening up. See videos of Gibson's performances here or on All Songs Considered.

Bits: 06.03.09

Provisions Library's "Screamer" amplification device. (More here).

• Art Observed has all the Venice Biennale links.

• Painter Riki Kuropatwa tweaks how women are over-sexualized in ads. "Offering up women in the context of the roller derby rather than the lingerie shoot, the oil stick on panel works depict the same sort of suggestive poses and provocative peaks at bare skin that we might see in Victoria's Secret ads, but the 'derbygirlz' have traded in their stilettos for skates and tousled Giselle waves for helmet hair."

• Online book: Brian Holmes' Escape the Overcode: Activist Art in the Control Society. Via Groundswell.

• Current.TV's video on the just-closed exhibition The Big Sad, featuring Barry McGee and Clare Rojas.

• GOOD magazine's excellent infographics are all the hell over Flickr.

• Window farms! (Thanks, Jeff.)

• Cork art (including Minneapolis' Cork Truck).

Video: Grassfiti

A how-to, via @groundswellblog.

Megunica: Blu and friends travel through Central and South America

Megunica, an art road trip that seems to go far beyond art, follows artist Blu and a group of friends as they travel through Mexico, Nicaragua, Guatemala, Costa Rica and Argentina making art and looking deeply into the people and places that help shape Blu's work. Above, the trailer.

Via Eyegunk.

Frank Lloyd Wright on "What's My Line?"

1956. Via ____ like you give a damn.

Bits: 06.01.09

Greg Murr, Election Day 2008, on view at Morgan Lehman beginning Jun. 4

• Greg Murr's series "The Usual Politics," features dogs as surrogates for people -- their "uncomplicated animal nature is altered by the introduction of symbolic trappings of society: high-heels, jewelry, and other emblems of luxury, technology and popular culture." In Election Day 2008, they're pictured "congregating in an absent space, noses to the ground and guided by instinct, yet still tethered to leashes that end mysteriously in the sky." Via Hustler of Culture.

• "With newspapers in terminal decline, what future for arts journalism?" Via Mediation.

• For Memorial Day, Maira Kalman visits Fort Campbell, Kentucky.

• Andy Sturdevant digs up an unsuccessful campaign to shut down all art production, exhibition, sales and distribution from Jan. 1, 1990, to Jan. 1, 1993.

• "The mind is not the brain. Confusing the two, as much neuro-social-science does, leads to a dehumanised world and a controlling politic."

• Visualizing randomness, via Infosthetics.

• The Mona Lisa makes an appearance as a skirt-wearing soldier in a Russian firehouse mural.

• Logo trends 2009, via designboom.

• Performance artist Ansuman Biswas will be the Manchester Museum's hermit in residence. He'll take 40 objects -- leading online discussions about one each day -- into the museum's Gothic Tower, where he'll live for 40 days and 40 nights. His stint, the first of its kind for the UK museum, begins June 27.

• Jimmy Stamp: "Batman is integrally linked to his city, the city he has sworn to protect. In every sense of the word, he is a true avatar of Gotham. And Gotham City itself is an avatar, not only of the dreams of its fictional architects, but of our collective urban paranoia."

• Scraper bikes in Oakland.