Showing posts with label darfur. Show all posts
Showing posts with label darfur. Show all posts

3.30.2011

Nadia Plesner/Louis Vuitton copyright hearing moved to Apr. 20

Nadia Plesner, the Danish artist being sued for copyright infringement by Louis Vuitton for using a rendering of a handbag in her Darfur painting, writes in to say the first hearing on the case, originally scheduled for today in The Hague, was moved yesterday to the afternoon of April 20. She writes:
The reason is that last week we challenged the assigned judge since it was the same judge who gave the court order in the first place. We feel like he can not be impartial, since ruling in my favor would mean that he would have to admit making several severe mistakes.

So last Monday we had a court hearing about this and the three judges listened to us! They think there might be reason to assign a different judge and they scheduled a new hearing for this coming Monday. Then it will be decided who will judge my case on April 20.

It feels like a small victory that they even consider it.

3.21.2011

Louis Vuitton lawsuit against Nadia Plesner inspires Dutch street artist; first hearing set for Mar. 30

Nadia Plesner-inspired street-art
A copyright infringement lawsuit by luxury goods brand Louis Vuitton against Danish artist Nadia Plesner has taken to the streets in Maastricht, The Netherlands. Plesner was sued by the company in 2008 for selling t-shirts to benefit Darfur that bore the image of a Sudanese child holding a chihuahua and one of Vuitton's iconic bags. Earlier this year the company sued her again for using the image in a giant painting, scaled to match Picasso's Guernica and called Darfurnica. Vuitton's suit filed in The Hague lists penalties of 5,000 Euros per day for each day the image remains on her site.

Now street artist Little Louis writes in that the "starved little boy carrying a Chihuahua and a fashion bag has grown to a height of seven meters on the facade" of a building at the cultural free zone The Landbouwbelang. The image differs from Plesner's original in one key way: the Vuitton bag is left blank, so artists can use it as a canvas for their own messages.
Nadia Plesner-inspired street-art
While there are some news reports that Vuitton is willing to settle the case, Plesner calls such stories an attempt by the company "to disinform the media by stating that it is all a big misunderstanding and they never had any problem with my painting Darfurnica and are willing to drop the case." She continues:
First of all, and let me be very clear on this point: we explicitly asked Louis Vuitton to lift the ex parte court order. They have refused and continue to refuse to lift the order. If that position changes that would of course be great but so far it has not.

Second, Louis Vuitton specifically asked and got a prohibition on me exhibiting (offline and online) or selling any image of the little boy with the bag, as incorporated in my works Simple Living and the painting Darfurnica. There can thus be no "misunderstanding". The fact that they suddenly act as if there is no problem at all and are willing to "leave it at this" seems to be an attempt to pacify the media, while at the same time they continue the battle against me outside the eyes of the media. "Leaving it at this" means that the court order and the penalties remain.
On Mar. 17, Plesner filed her own counter-suit against Vuitton (read it here) aimed at getting the court's order against her lifted. She argues that the order is an "unacceptable infringement on [her] right to freedom of speech" and a "gross violation of the right to a fair trial," both of which should be afforded her by the European Convention on Human Rights.

The first hearing on the case is Mar. 30.

3.13.2011

Louis Vuitton sues artist Nadia Plesner -- again -- for using handbag image in Darfur art

Darfurnica (detail), Nadia Plesner, 2010

Danish artist Nadia Plesner got in hot water with Louis Vuitton in 2008 for depicting an African child with one of its high-end bags on one arm and a chihuahua in the other (below) as part of her campaign urging divestment from Sudan over the conflict in Darfur. Now the company is suing her again: this time, the luxury goods company has filed a copyright infringement suit at The Hague that will penalize her 5,000 Euros for each day a likeness of its Audra bag in her painting Darfurnica remains on her website. The company has been tallying her penalty since Jan. 28.

"The story about Darfur must be told, and I believe I should have my artistic freedom of speech to do so," Plesner writes on her website.

Whereas the first legal kerfuffle with Vuitton ended in mid-2008 with Plesner agreeing to stop selling t-shirts bearing the handbag image, this time Plesner's art is not merchandise to be sold but a work of fine art. Created to the same dimensions as painter Pablo Picasso's Guernica, a 1937 polemic against the carpet-bombing of the Basque town of the same name, the idea for Plesner's piece hinged on news that officials decided to shroud Picasso's famed painting in blue cloth during a 2003 UN press conference on the Iraq War by John Negroponte and Colin Powell.

"It is amazing that an art work can be considered so powerful, that it has to be covered up while governments present their plans," Plesner writes. "It only proves that artists around the world must continue to work with the harsh issues to influence the people with power and to start important debates."

That same year -- 2003 -- the genocide in Darfur started, she writes. "Politicians come up with new ways to try to hide from us that things stay the same."

Despite a clearly artistic -- and not commercial -- intention behind the work, Louis Vuitton is seeking monetary penalties (220,000 Euros or roughly $307,000 and counting, with no ceiling on the penalty) and aims to prevent Plesner from exhibiting the painting either on her website or at venues in the European Union. (Here's an unofficial English translation of the court order.)

Plesner, who now runs a foundation that raises funds for projects like sending medical equipment to Darfur or buying a vehicle for use at an orphanage in Tanzania, is lawyering up for her defense. Her opponents won't need a fundraiser for its legal efforts: Louis Vuitton -- aka LVMH Moët Hennessy Louis Vuitton -- had profits of $28.26 billion last year, and its chairman, Bernard Arnault, rose on Forbes' billionaires list to world's fourth-richest man, with a net worth of $41 billion.

But Plesner reportedly has an unorthodox ally. According to media reports and an image posted at Reddit (.png file), the hacktivist group Anonymous is launching a campaign against the company. The goal is to use "any non-physically violent method available to us to cause financial damage to Louis Vuitton."

Big words? Perhaps, but Anonymous has reportedly been successful in launching distributed denial of service attacks against various entities, bringing down the websites of BMI (for its "war on copyright"), Americans for Prosperity (the anti-union group funded by the Koch Brothers that's been active in Wisconsin in recent weeks) and VISA and Mastercard (for the company shutting out Wikileaks), among others.

Update: Louis Vuitton lawsuit against Nadia Plesner inspires Dutch street artist; first hearing set for Mar. 30

Update: On May 4, 2011, the court in The Hague ruled against Louis Vuitton, finding that "the importance of [Plesner's work] outweighs the importance of Vuitton (protection of property)." An elated Plesner tells Eyeteeth, "Today is a great day for art."

4.30.2008

Louis Vuitton sues one copyright infringer, hires another

Anaba writes that Louis Vuitton -- the luxury bag-maker that's suing a designer for copyright infringement for using a likeness of one of its totes in a Darfur benefit piece -- has also collaborated with artist Richard Prince on a bag. Much of Prince's work is overtly about the appropriation of corporate imagery (most famously, Marlboro ads). The Walker Art Center, where Prince now has a show, says the artist has built a career on "recycling, reflecting, and reframing photographs, cartoons, advertisements, and other images already existing in the public sphere." Sounds awfully familiar...

Anaba also links to a New York Times piece on photographer Jim Krantz, who shot many of the Marlboro ads Prince rephotographed. Prince wouldn't comment on Krantz's increasing annoyance at Prince's uncredited use of his work. In an email to the Times' author, he wrote, "I never associated advertisements with having an author." I suspect Vuitton would have a very different view of the "authorship" of its handbags.

Vuitton bullies artist over Darfur image

Nadia Plesner sued for this image
Taylor reports that designer Nadia Plesner is getting sued by Louis Vuitton for showing the likeness of a Vuitton bag in a campaign to encourage divestment from Darfur. As a Vuitton lawyer claims in a February cease-and-desist letter, the bag pictured is the Monogram Multicolore, created by Vuitton art director Marc Jacobs and artist Takashi Murakami. "As an artist yourself, we hope that you recognize the need to respect other artists' rights and Louis Vuitton's Intellectual Property rights," the attorney wrote. Plesner, probably aware that artist's like Murakami have the right to appropriate and satirize the work of others, lawyered up and refused. Now, according to TechDirt, Vuitton is "demanding $7,500 for each day she keeps selling the product, $7,500 for each day she displays its original cease-and-desist letter and (my favorite) $7,500 for each day she mentions the name 'Louis Vuitton' on her website."

"Sometimes recognizable objects are needed to express deeper meanings, and in their new form become more than the objects themselves -- they become art," Plesner wrote in her response to Vuitton's initial letter. Indeed, as Sudanese troops and affiliated militias mow down civilians in Darfur -- as many as 300,000 have died there, according to a new estimate -- the culture of consumption in the west, represented aptly by this particular bag (which retails for $1,580 on the company's website), stands in stark contrast.

Plesner, hopefully boosted in her efforts by the suit, says she'll continue with her "Simple Living" series, which both raises awareness of the genocide in Darfur and generates funds -- 30 percent of sales -- to its victims.

Update: Vuitton has collaborated with artist Richard Prince, whose celebrated work includes Marlboro ads he re-photographs, without crediting the original photographer.

Update 03.13.11: Louis Vuitton sues artist Nadia Plesner -- again -- for using handbag image in Darfur art

Update 05.04.11: EU court rules against Louis Vuitton in Nadia Plesner copyright case

3.22.2007

Curry's courage

NBC's Ann Curry on why she's returned to Darfur, Sudan, for the third time in 12 months:
“The real reason, to be perfectly honest, is that as a child when I first learned that there were people who risked their own lives and even the lives of their children, their families, to save Jews during the Holocaust, it was a profound moment for me. It made me question whether I am the kind of human being who would take such risks.”

3.12.2007

Make Some Noise: Activists Urge Action in Darfur

While working on his master's degree in educational leadership in 2001 , U.S. Rep. Tim Walz, D-Minn., grappled with how education about genocide had failed. History classes had, rightly, incorporated thorough study of the Holocaust, he said, but "we did such a good job of teaching it that students tended to take it as an anomaly out of history, in a bubble, and view it as something that was perpetrated by madmen and people that are insane."

Years earlier, as a high school teacher, Walz took on a "gratifying and terrifying" project with his five classes: using data about economic, ethnic and environmental contexts around the world, they tried to predict where the next genocide would occur in hopes of preventing it. Four out of five classes determined that Rwanda was the most likely site of another genocide. Three years later, in 1994, as ethnic Tutsis and their Hutu sympathizers were being executed -- more than 500,000 would eventually die -- his students called him up and asked, "Why didn’t anyone do anything? Why didn’t this government step in?"

On Sunday, Walz, U.S. Sen. Amy Klobuchar, Rep. Keith Ellison and Dr. Michael Barnett gathered with more than 500 grassroots activists at Plymouth Congregational Church in Minneapolis to ask why a modern-day genocide continues in Sudan with little outrage — or action — by the international community. They also explored how to ensure that people in the future aren't wondering why the United States didn't put an end to a conflict that has killed 400,000 so far.

With little political will, the speakers concurred, only one thing will make a difference: widespread pressure exerted by a well-informed citizenry.

"Politicians see the light when they feel the heat," said Ellison.
The Minnesota Interfaith Darfur Coalition assembled a panel of well-versed experts: Walz, who has a master's degree in genocide studies, co-sponsored a bill recognizing the early 20th-century ethnic cleansing in Armenia as genocide. Ellison co-sponsored the Darfur Accountability and Divestment Act of 2007, a measure that targets companies that invest directly or indirectly in Sudan ("If we starve the beast, it will change its behavior"). And Barnett, chair of the international studies department at the University of Minnesota's Humphrey Institute, was a United Nations delegate in the 1990s and, in 1994, a desk officer for Rwanda. (According to event organizers, all 10 of Minnesota's federal lawmakers were invited but, due to scheduling conflicts, only Democrats Ellison, Klobuchar and Walz could attend.)

Barnett spoke first, recalling a mid-1990s conversation he had with Anthony Lake, a national security adviser during the Clinton administration. When asked how to get a passive international community to take action to prevent further violence ravaging Rwanda, Lake told him, "Make some noise."

"The reason why nothing was done [in Rwanda] is we had no machinery," he said later, referring to international organizations equipped to intervene. "We always say, 'Never again,' but then when the 'again' happens, we scramble around looking for the possible posse. That’s when politics get involved. My recommendation is not simply to push on Darfur, but also to urge your elected officials to support the United Nations and other mechanisms."

Klobuchar followed, offering a to-do list of actions she thought had potential for success:

• pressing China, Russia and Arab nations to urge Sudan to allow U.N. peacekeeping troops to enter the country, a move they've long resisted;

• getting the U.N. Security Council to enforce provisions of resolution 1591 by establishing a no-fly zone over Darfur to stop offensive attacks -- and to use U.N. or U.S. fighters to "direct punitive strikes against Sudanese planes" if necessary; and

• pressuring the White House to reveal its "Plan B," still-unspecified punitive actions against against Sudan promised by the Bush administration if that country continued to bar entry to peacekeepers. The administration named a Jan. 1, 2007, deadline for compliance; no action has been taken against Sudan.

Citing a passage from the biblical book Leviticus, Klobuchar said, "Justice is our duty, and we are called to recognize the image of the divine in every human life. We must renounce inaction in the face of such enormous tragedy. We are here today because we know it is our human responsibility to not stand idly by as the blood of our neighbors continues to be shed.”

Ellison suggested that a broader group of neighbors be invited into the discussion. "We have to look at our coalition and ask ourselves, is it made up of people who look pretty much like me and people who see the world as I see it? Can we expand the coalition?" he said. "I think we should reach out aggressively to mosques and the Muslim community."

The members of Congress broadened the discussion to include pointed critiques of the Bush administration. Ellison said that the United States has a "moral imperative" to act on behalf of Darfur's civilians, but at the same time, the U.S. must restore civil rights here at home. "We need to be able to say that people detained in America have a right to habeas corpus. We have to be able to say we’re going to work hard and stop profiling based on religion and race in our country. We are going to say that America doesn’t engage in torture," he said. "So that when we go to the world community and say, 'This is wrong,' we can say it without fear of being accused of hypocrisy."

Walz echoed the sentiment, referring to a new report by China that outlines rights violations by the U.S.: "When China is now lecturing us on human rights, and they’re correct on where they’re lecturing us, that is a sad day for our nation."

Perhaps the most scathing criticism came from Barnett. He said the growing public concern for Darfur has more to do with the moral fiber of the American people than real concern by the government, which -- like China and Russia -- has its eye on Sudan's rich oil supplies. "U.S. economic and strategic interests line up with [the Sudanese government in] Khartoum," he said. "Because to go through Khartoum means you get the oil. It means you're able to deal with the terrorist networks more effectively. The fact that we've gone against our national interests, which means coddling up to Khartoum, says something about the very important moral condition that's come together on this issue."

That moral stand is the antidote to genocide, Walz suggested. In discussing his grad school research on genocide education, he concluded that students, convinced that the Holocaust was an isolated act by lunatics, fail to see what philosopher Hannah Arendt called the "banality of evil" -- the potential for complicity in atrocities by average citizens -- "that sits among us in all societies."

His call to action seemed geared both at citizens and his colleagues across the aisle. "If there are people that are talking about their faith openly, that are talking about their goodness, then hold their feet to the fire and ask them what they're doing about Darfur," he said. "Where's their willingness to stand forward? Where's their willingness to get in front of their peers, where it matters -- on the House floor. That's how things reach that tipping point, and we're right on the edge."

Part 3 of my continuing series on Darfur for Minnesota Monitor: Part 1, Part 2. Note: this article has been updated; see here for details.

12.22.2006

Hope?

While NPR headlined a story today "No End in Sight to Darfur Conflict," the BBC quotes Kofi Annan, who's optimistic that the country will allow UN peacekeepers into Darfur after reading reports that "encourage me to think we may tomorrow (Saturday) receive a green light from [Sudan's] President Bashir." And, this paper says Khartoum already OK'd a "hybrid" peacekeeping force that'll replace the 7,000 African Union troops who've been patrolling the region.

Watch it: Via Coudal, here's the trailer for the Sundance Audience Award-winning documentary God Grew Tired of Us (image above), a true story of some of Sudan's "lost boys" who walked a thousand miles to escape the civil war and Khartoum's bombings raids during the country's civil war and ended up in the U.S.