12.07.2009
Bits: 12.07.09
• Posterchild proposes... fittingly taking over a Manhattan subway sign to pop the question (above).
• Ai Weiwei, recovering from an attack by police and having had his web site shut down by authorities, on why artists should engage with new media: "To use art is not enough, to describe your view, in the old traditional forms, such as painting, sculpture…as a citizen you need to express your views. Writing, blogging and giving interviews is a part of that, otherwise you will very easily be misunderstood by the establishment…as long as there is power and people there will be a struggle."
• Businessfolk weigh in on art -- and don't like it. BusinessInsider's Clusterstock says a mural at Goldman Sachs by "obscure" artist Franz Ackermann is ugly, "loud and cartoonish," and they don't like Julie Mehretu's piece much better. (Via The Awl.)
• Richard Wright wins the Turner Prize.
• The Schlong War: Copulating critters and a man with a giant penis make up a vaguely Bosch-like facade on a building in Berlin. Apparently, it's part of a feud between lefty newspaper Taz and mainstream behemoth Bild.
• NEA adds linky circuitousness to sites to avoid rightwing harangues about politicization of the arts.
• After that last one, lower your blood pressure with Kimsooja.
• Highly recommended: The documentary The Cats of Mirikitani, a moving and at times enraging documentary about a homeless Japanese-American artist facing post-9/11 America.
• Just in time for the UN climate change summit in Copenhagen, Art Threat looks at the exhibition Rethink: Contemporary Art & Climate Change.
• Video collage artist Craig Baldwin's The 70s Dimension.
• Norman Rockwell's source photos.
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