Urs Fischer's Cumpadre, 2009
Suffice it to say Peter Schjeldahl didn't love the New Museum's show by the "mildly talented" Urs Fischer.
The kicker, from his New Yorker mini-review:
It’s all nicely diverting—but from what? If you spend more than twenty minutes with the three-floor extravaganza, you’re loitering. The New Museum could just as well not have done the show while saying it did. The effect would be roughly the same: expressing a practically reptilian institutional craving for a new art star.
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