Many contemporary artists are using craft to make diverse and timely political statements. Because creating crafts is so often social and communal, they can play a vital role in the public sphere. The speakers examine the role of craft in forming national identities, especially in times of political turmoil or war; notions of patriotism; feminism and the domestic sphere; and unconventional economic models. Five artists will present projects and discuss their work. By linking the act of production and handmaking in the public realm to ideological issues of agency, participants ask how art makes political subjects. Panelists include Liz Collins, artist/designer; Sabrina Gschwandtner, artist/curator; Cat Mazza, artist/activist; and Allison Smith, visual artist. Moderator: Julia Bryan-Wilson, art historian and critic, University of California at Irvine.
Paul Schmelzer is a writer and editor in Minneapolis. Formerly managing editor of Walker Reader(2011–2020), the Walker Art Center's digital magazine, he is cofounder of The Ostracon, an art writing site created through funds from the Andy Warhol Foundation for the Visual Arts and Creative Capital's Arts Writers Grant program; creator of Signifier, Signed; a former editor at Adbusters; and contributor to Artforum.com, Cabinet, Huffington Post, Hyperallergic, The Progressive, Raw Vision, Utne,and others.More >>
Tomorrow afternoon at The New School's Vera List Center for Art and Politics:
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